Tag: Оскрнавитељ

  • Live report: Nihilism & Оскрнавитељ, Пустош @ Club Fest, Zemun – September 29th, 2023

    Live report: Nihilism & Оскрнавитељ, Пустош @ Club Fest, Zemun – September 29th, 2023

    Thank God it’s Friday, right? Not this time! He had nothing to do with the happening in Fest club this Friday. Three black metal bands performing make for a proverbial stop sign for deities. Not too common occurrence is that there were actually three rather different black metal entities adorning the stage that night. The audience was greeted to three stylistically diverse groups. Differing viewpoints on the same genre. An invite for personal tastes to run amok.

    Пустош was the first onboard. Indjija based quartet declared they are getting back to studio for the session that will become their sophomore album. Hence, this weekend stint with Nihilism was the last that will overly promote the debut. First of all, it was my first time witnessing Пустош as a four-piece. As always, the second guitar’s impact on live appearance of a band. Such was the case this time, too. Пустош’s brand of doomy, atmospheric black metal gained strength, particularly in those slower, heavy pieces of Black Sabbathesque brand of stoner doom metal. Its impact was somewhat lessened in faster, more traditional black metal parts, but it didn’t hurt either.

    But the full power behind such a line-up was seen in the one new track they presented. An instrumental (until the completion of the lyrics) which experimented with black metal in a similar way to Emperor at their most progressive on “Prometheus…” Not that Пустош went along the same type of avantgarde expression, but the arrangement got me thinking of the swerving manifestation of black metal Ihsahn followed through in his next projects. As far as I’m concerned, if the coming record goes along the similar paths as the one presented, we might be in for an exciting listening experience.

    And then the funniest thing happened. The only explanation I have for complete lack of guitars in the output for the remainder of the evening is that the sound guy’s girlfriend cheated on him with a guitar player. You know what!? I hope she did! Just about ridiculous, as there was just a thin veil of guitar sound behind a thumping bass, vocals and drums.

    Оскрнавитељ should sound like a violent black metal tsunami on stage. We could hear hints of it, for sure. The band’s energetic performance promised that. But there was no guitar. I clearly heard the bass player make a few mistakes. That’s how apparent it was. In higher registers, there was some guitar breaking through. Other than that, they were lying in tatters behind the rhythm section and voice. The fact that Оскрнавитељ houses two guitars is even a difficult feat to bury so much.

    Оскрнавитељ, by the way, plays a purified, second wave black metal. In that regard, the simpler, tremolo guitar buzzing was the one thing that actually came through, as a wall of sound behind the rest. The nuances though, and there’s a number of those, like delicate leads, that was all gone. I couldn’t even find it when I approached the stage, frontline, one and a half meters from the amp. Bass, drums and vocals were just taking over the whole thing.

    On the other hand, the band took advantage of the opportunity and displayed the fierceness their music brings along. What concerns themselves, they’ve done to perfection. Let’s hope for less of an idiot behind the soundboard next time.

    The only guests on stage for the evening, Greek band Nihilism, inspired curiosity. Black metal coming from Greece has long been one of the pillars of this global phenomenon. So, a chance to hear one of those live is never to be taken lightly. Unfortunately, this was all wrong. Nihilism really had all the bad luck in the world that night. Starting from the mentioned idiocy by the sound guy. I think he was actually quite dumbfounded by the music at hand, that he didn’t know what to do with it. Not only were there only two guys in the line-up, with all the rest coming from a sampling device. They are promoting a sort of avantgarde black metal whose full impact hugely depends on everything going really tight. And then two strings on guitar decided they’ve had enough. The guitarist tried to work around it for a while, playing a couple of more songs before giving up and asking the other bands to lend him one.

    Completing the image of an absolute asshole, the sound guy steps in once again and plays music during these couple of minutes long break. Seriously!? Has he never been at a concert!? String breaking is certainly not something that happens for the first time. Let it go, dude. People can live without Pantera for a couple of minutes. Absolute moron!

    Nihilism went on for a while longer, but the sound emanating from the stage didn’t allow for a decent judgement of their music. It sounded like a fairly noisy and “broken” black metal, where psychological discomfort was the objective. Not for me, definitely, but there might have been a few turned heads in their direction, if only they had someone with at least basic understanding of how soundwaves work, taking care of the sound.

    All in all, this was a pleasant evening. I just hope they all had better luck a day later in Novi Sad. As for the “hero” of the evening… Well, let’s not be too harsh. I wish he got fired.

  • Review: Оскрнавитељ – Прадавни

    Review: Оскрнавитељ – Прадавни

    Label: Self released

    Date: June 3rd, 2023

    As I said in previous reviews for Serbian bands and their new albums, this year definitely gave us good music. Half of the year passed and we already have at least five new albums and yet more to come. Kolac, Шакал, Strahor, Chronogoria and now Оскрнавитељ. This band is still really young. They got on the scene in 2021. The first time I heard them live was at one of their first gigs in club Garaža, Belgrade, as a part of a really good musical event that lasted two days under the name Extreme Metal Festival. We made a concert report about the event here in Abaddon Magazine. Back then they were totally unknown to me but they are maybe the only band I remember from that concert until this day. They surely got one new fan thanks to that festival. For a long time, fans begged them to make an album so waiting really paid off. Оскрнавитељ published in digital form their firstborn album called “Прадавни” (“Pre-ancient”).

    Оскрнавитељ consists of only four people with extremely rich experience when it comes to music. To make things better, they have a lady lead singer, Vrika aka Ivana Savić who is one of the most specific and one of the best female vocalists from Serbia. Her musical background is also big but what divides her from others is that she is a real black metal vocalist and that’s rare and very hard to handle.

    Anyway, “Прадавни” is an album that really got us back to the first roots of black metal. Rough and fast from its first riff, this album showed us the virtuosity of this band. When it comes to black metal as a genre, without some mixing with other genres and effects, it’s hard to make even one song, not to mention a whole album, sound good and not hard for the ears to listen to.

    After a short introduction of wolf howling that I just adore to hear, the song “Оскрнавитељ” hit me immediately with its fast drumming and guitar riffs. With its poetic lyrics, it represents the essence of the band’s work. Important to mention is that this is the first song they published as a single back in February this year. By reading the comments below I remember people going crazy, so the album just had to be made.

    The next song “Оковани” (“Chained”) really woke up the evil spirits and made me headbang. Next to shredding background melody, incredible Ivana’s growl really fit into the entire song and album. Raw and high, it gives a specific mark to the album.

    “Кад је месец пун” (“When the moon is full”) is a song that got everything in a package. Interesting lyrics next to even more interesting melody make this song absolutely the best. The atmosphere dark and scary gives an impression that this is some kind of an ode to his majesty, the wolf. A beautiful animal with a long history in our mythology.

    The album ends with “Хладно руно планина” (“Cold fur of the mountains”) that is also one of my favorites with the atmosphere that just transfers you to some dark, enchanted Serbian forest. To make it vivid, the beautiful cover art is definitely how I imagine it in my head.

    There is not much philosophy or words to describe this album musically because black metal can’t surprise you much. To someone it’s just too much noise (probably to the fans of Maneskin) but bands like Оскрнавитељ really know the essence of playing this genre. Of course, it doesn’t mean other songs sound the same and we can hear that in “Прадавни” from the first to the last song. Central figure here is the subject and poetically written lyrics. Mysticism, mythology and evil. Everything us humans are scared of, because we just don’t understand it, is always a good subject to sing about. Wolf, as I said, in Serbian mythology, has an important place as a personification of some Slavic gods. Reasons for that are its independence, strength and appearance. Wolf is definitely a symbol of pre-ancient times and Оскрнавитељ made an effort to describe it.

    This was one of pleasant surprises this year on the Serbian metal scene. I hope that this majestic band will soon offer us some good shows and music. I know I am not the only one with those wishes.