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Date: 25th of May 2026

The Balkans are more of a mindset than a geographical region. This is precisely why every country in this part of Europe is home to exceptionally talented artists, especially musicians. Centuries of migration and cultural exchange have created musical traditions that are instantly recognizable around the world.

Folk heritage is something that shapes us not only as nations but also as individuals. It is up to each artist to transform that heritage into something original while keeping it authentic rather than turning it into a caricature. On the Balkans, it is very easy to cross the line into excess, particularly in music. Looking at what is currently popular in both Bulgaria and Serbia, exaggeration often seems to define the mainstream.

Orenda, however, stands apart from these trends. The band moves beyond the boundaries of its genre, successfully combining elements that might seem incompatible, yet doing so with remarkable balance and taste. Their music never feels forced or overdone; instead, it presents Balkan folk traditions in a modern, progressive, and respectful way.

As a folk dancer and a long-time admirer of Orenda’s work, I can honestly say that SKAKLYA has been part of my daily playlist ever since its release on May 26, 2026. For me, it is not only an outstanding metal album but also a celebration of Balkan musical heritage presented in a fresh and inspiring form.

Since the entire album is performed in Bulgarian, the title SKAKLYA itself deserves special attention. I greatly appreciate the band’s decision to remain faithful to their native language, as it strengthens the album’s authenticity and cultural identity.

In Bulgarian, Skaklya refers to a waterfall or something that “jumps” a meaning shared with related similar languages. The title perfectly reflects the character of the album. Like a waterfall, SKAKLYA is filled with immense energy and constant momentum, flowing naturally between traditional Bulgarian folk music and progressive extreme metal. Rather than forcing these contrasting elements together, Orenda blends them seamlessly, creating a sound that feels both powerful and natural.

Unlike many concept albums, SKAKLYA does not revolve around a single narrative. Instead, it is built around traditional folk songs that are much older than any of us. These are metal reinterpretations of songs that have been known and passed down through generations across Bulgaria and the wider Balkan region.

One of the album’s greatest strengths is the way it embraces the irregular time signatures that are characteristic of Bulgarian and Macedonian folk music. These rhythms blend naturally with progressive drum riffs, creating music that is both technically demanding and deeply rooted in tradition. The intricate guitar work, at times reminiscent of Yngwie Malmsteen’s virtuoso style, combined with the sound of the gaida (Bulgarian bagpipe), gives many of the compositions an almost symphonic character.

At first glance, one might expect such a combination to sound chaotic or overly aggressive. Instead, the arrangements feel remarkably balanced. Every instrument serves the song, allowing the traditional melodies and lyrics to remain at the heart of the music while the progressive extreme metal elements enhance their emotional impact.

Orenda is certainly not the first Balkan band to explore this musical direction. Alongside groups such as Silent Kingdom from Bosnia and Herzegovina, E-An-Na from Romania, and Chromatic Point from North Macedonia, they represent a growing scene of folk progressive metal artists who draw inspiration from their cultural heritage while pushing the genre forward. I hope Orenda will continue to grow beyond being seen merely as a studio project and that audiences will have more opportunities to experience their music live.

With SKAKLYA, Orenda pays sincere respect to the folk traditions of Bulgaria and North Macedonia. In my opinion, the album does more to celebrate and preserve this musical heritage than many commercially successful songs that borrow Balkan folklore only on the surface.

Bandcamp: https://orendabgofficial.bandcamp.com/album/skaklya
Instagram: https://www.instagram.com/thebandorenda/
Facebook: https://www.facebook.com/orendabgofficial

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Andjela Milunović born in Ivanjica, Serbia, 24 years old, currently senior medical student and amateur ethnologist. My love for metal music has lasted over a decade now, in late 2020 I was accepted in Abaddon magazine from Belgrade as a journalist, my journey with them still lasts and till now I reviewed many albums, books, movies and shows of foreign and Serbian metal bands and authors. Besides that our magazine is making live and written interviews with bands, I am proud the most of my interview with Estonian folk metal band Metsatoll in April 2024. My wish is to report from major metal festivals in Europe and World wide. Stay metal! 🤘